Full text of "Logos"
Digitized by the Internet Archive
in 2010 with funding from
Lyrasis IVIembers and Sloan Foundation
Florida Presbyterian College, St. Petersburg, Florida Volume III
Editor, John Spragens, Jr.
It seems like things are always very hectic in the beginning.
We didn't really have time to look at this place when we first
got here. After all, we were here and there was this place-
period. When it all began, every frond and ripple, every
pinecone, stump, leaf, branch, bud, petal, bush, and blade may
singly have escaped us. But all the time we knew they were
there and, after a while, maybe we found them. We were here,
the experience and the place were real, and that was that.
And then ... ah yes! One evening we caught the sunset for a
long ride. Or baby, that day out there when we saw the greenness
and knew the wind; somewhere between the pragmatic expedient
and the metaphysical truth, the meaning of rock and cosmic
awareness, we all got down to realizing that a college, very
much like almost everything else, had a natural environment.
There— it was.
"Not everything on God's green earth will last," someone once
said, or something like that. One day it was; the next day
rubbed out, faded out, moved out, broken out. And so we
stumble upon dead fish, groddy beaches, and dirty water. Ugh!!
Because it happened.
Listen, whether we want to be happy or want to be sad— sad or
happy; happy, sad— it's all a gas . . . isn't it?
Free Form. Aaaaaahhhh!! "What does it all mean, Martha?"
Like sculpture. We looked for Free Form one day.
Out past the no-nonsense nonsensical concrete canopies, the
non-functional friezes, and through a labyrinth of aluminum
no-rust no-sparkle poles and Apollonian fences we found
(and could you believe it?) beauty.
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This is what's happening, baby. We've
got this campus, and even though it's
as sentimental as iVlother's picture
album and Holden Caulfield's little
sister, we look around at the big and
the small, the customary and the
unexplored, and often get, you know,
It's hard to express, but you know.
Drop by in a year or so for another gassy
installment. New buildings and new roads
(woweeeeeeeeeeeee!!). The wasteland fill resounds
with the pounding and whirring of an architectural
renascence. Watch it, o nature, as we slowly
reclaim you, building, making, fixing far out.
We can still make a mess if we want to, or even make some order
if we'd rather live that way. We are independent, or supposed
to be anyway. We can pursue what we like and learn in the process.
We can experiment, contemplate, medicate, and love. If we do it
right, great! If we mess it up, well, that's how it is.
People doing things, all with ideas!
Push, push, push.
Baby, that's the trouble. Nobody moves a
muscle without coming nose to earlobe
with somebody's big answer to life and the
world situation. We might even be led to
think we can't figure it out by ourselves,
but we've known all along we can.
And that's what we're here for, but we
still wonder if some people came here
to be learned or to be taught.
Cooling it has about fifty million faces. Some
people are content with the quiet, studious life—
at least while they're in the library. Then
there are people who dig: sailing, sporting,
concerting, singing, dramaing, inundating, and
debating. Even some people who dig digging.
There's goofing off, and there's goofing
off, and then there's goofing off.
It's kind of divided Into degrees
There are things like going to special
lectures and maybe learning something,
Or there's organized activity like
a dance or movies.
Or you can go out, raise hell, waste
time, and really enjoy yourself!
They're funny, places.
It's next to impossible to get into
town from the campus, but you can
actually get credit for spending
the summer in England or the Balkans
How about a credit for spending
two hours in Webb's City?
Over an ocean or across the bay,
a journey or a trip to the union,
it's usually what we were looking for
that led us there.
Escaping doesn't have to be a
production of Aida in Williams Park.
The drip-drip or sizzle of nature,
the just being alone with someone
liked or loved can be enough.
And sometimes we must escape into
ourselves to discover new forms.
The swing of serendipity is
Al Roblwit, Trident
Some people don't go for just
getting by, just hanging on, or
just taking it as it comes and
later stopping to find out what
it's really all about. Some
people make form and decisions
their business (or at least they
work at keeping everybody happy).
Some do in particular. To them
we owe a debt. We offer our
thanks and more.
FrRz Russ, Student Court
DceOee Jacobs, WDA
trie (also Jan Snipes), Incita
Billy 0. WIreman
Boyd W. Johnson, Dean of Men Vjce President, Development
John M. Bevan, Dean of the College
It's hard to believe, but there
are people who made this place
and keep it going. Occasionally
the ceremonial give and take, or
Ritual Rut, that somehow gets
between them and us (goodness
knows, we never saw it coming!)
obfuscates the simple fact that
they do give a damn, they did
make a place for us to come to,
and they will continue to work
for this college.
They know what's in a dream . . .
Wlliram H. Kadel, President
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Editor, Diane Splcher
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In desperation we sometimes ask, "What am I doing here?"
The answer is obvious and depressingly trite: we are here
to learn, to gain knowledge. Yet learning here is more
than classes and busy work; knowledge is not solely
dependent on memory. Variety is a certainty and the total
education is our goal. This diversity is reflected in the
places and manner of our study; but the basic questioning
and searching is always evident. The pressure to produce
is great; the worthwhile or well-done is often difficult.
Perhaps this is why we work wherever we can be comfortable
and relaxed. Nevertheless, the constant strain is
felt by our hands, our eyes, and our feet. Hopefully, we
manage to produce and satisfy, if no one else, ourselves.
J. Stanley Chesnut, Rellgli
Terry Loomis, Drama
James G. Crane, Art
Florence Sherboume, Reading
John H. Jacobson, Phlloiophy
Margaret Rigg, Art
af Henry E. Genz, French
James R. Carlson, Drama
Sometimes we are provided with opportunities to
employ our own methods and style. We can use our
hands to construct the images that our minds create.
Some of these images are scientific in nature;
others are visible results of artistic fantasy.
Independence and individualism are given freedom
and encouragement. In this atmosphere, we work
Robert J. Gould, Muilc
Robort Hall, French
Otis H. Shao. Political Sclen<
Richard Bredenberg, Education
William F. Gray, Economics
Emit Kauder. Economics
Weary eyes communicate the printed word
to minds that ask, "Who am I? Where am
I going? Why?" Surrounded by the
knowledge of the past, new ideas are
born. Scribbled lines on reams of paper
herald their birth; the hunched back,
the open book, and the exhausted body
evince the hardships of creation and
the strain of conception. We learn,
we think, we create. . .here.
Here we seek knowledge; here we struggle and
sometimes achieve. This lifeless shell of concrete
and metal excites the eye and evokes opinion;
its contents stimulate the mind and provoke
thought. The structure seems constantly fresh
and somewhat durable, immune to the fatigue
which overcomes mind and body. But this
structure is only a shell. Concrete and metal
cannot think; they cannot create. They do serve
those of us inside who can.
William A. Koelsch, History
Edward I. Stevens, Psychology
Philip R. Ferguson, Chemistry
Dudley E. South, Mathematics
Leiand D. Graber, Mathematics
George K. Reid, Biology
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We listen, we discuss, and we think. We
respect the words of those who are here to
guide us, but, we may disagree and often
do. Even in our disagreement there is
evidence of the search that has brought us
here. Yes, we are here to learn, to gain
knowledge. But because knowledge has not
yet discovered its limits, the process of
learning seems endless. Perhaps it is.
Therefore, we take joy in each thing
learned, in each thing understood. Our
understanding is like a sandy beach; each
bit of knowledge, though insignificant in
itself, is precious because it contributes
to understanding. Knowledge, like the
grains of sand, may shift with time; but,
the beach remains.
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Editor, Wendy Corbett
What is eight times four?
No, that's seven times four.
What's twenty-eight plus four.
Uh . . . Thirty-two.
Good. Now, what's eight times four.
OK. Now tell me, what's nine times four.
That was a good play.
It should be. They worked on it long enough.
It was pretty funny, too.
Some of it was too funny. I heard Kadel was upset.
That doesn't surprise me. I suppose the old people
have been calling all day.
Well, he can't really gripe. It was a good play.
How did you get the part?
Guess I was the only one who would shave
Yeah, and you've sure got a lot of hair.
Urn . . . OUCH! Slow down a little.
I'll try. Do you want us to use a straight razor
when we finish with the clippers?
Hell, no! You're bad enough with those.
Euripides; you men' a deese.
Do you want to go to the pool?
No, I've got to study.
Heck, it's too nice a day to study.
Yeah, I know. But I spent two hours playing tennis
yesterday and that paper's due Friday.
Well, you could at least take tinfie to play a
game of Ping-pong.
No, I . . .
Ah, come on.
OK. But only one game!
Sure . . .
Can you play football for the dorm Sunday?
I want to, but I'll have to wait and see.
Aw, come on out. You won't get hurt.
Yeah, probably won't even get to play.
Yes, you will. We're short two men this
game. Can you play defense?
I could if I had to.
You don't have to if you don't . . .
Oh, I'll be there.
Come on! Get it in there.
No, No, NO, NO!
Watch out. Don't let him get away from you.
Dunk it, Red!
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Lord, what a mess you are!
I think some of those eggs were rotten,
and her aim was bad too.
Well, at least you don't have shaving
cream in your ears.
No. but this isn't quite like egg shampoo.
Somebody just got those girls with a hose.
Hah! Who started this anyway?
Some guys over in Beta, I think.
Look! Soaked to the skin.
My hair is still dry.
Not for long.
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I wish they hadn't washed windows today.
IVIe too. I've got work to do.
I was in the shower when they started on my
room and had to wait half an hour until
they finished. It's funny to have a boy
looking in your window if you live
I know what you mean. This morning one of
the air-conditioning men was wandering
around and Rosa didn't yell very loud.
Did he see you?
No, I saw him first.
Addis and Crofut! Oh, this is really
gonna be bad.
Don't knock it yet. Give 'em a chance.
I'll bet they're hicks. Probably from
some podunk in Alabama.
Well, I can think of a lot better ways to
spend all that money.
Maybe, but the movies have been pretty
Yeah, art films.
OK Cynic, what do you want?
Jazz, like Brubeck.
Sure. Sure. I think a thousand dollar
activity fee would be nice too.
Have you been to the Woom?
No, I want to though.
It's not bad. Kind of weird.
I wish it weren't so far to walk.
That's the price you have to pay for
being off campus.
You may have something there.
Why don't you come this Saturday.
There's going to be a play.
Hmm. I just might.
Boy, I hear that trip to England was great.
Did you go?
No, but my roommate did, and that's all I
hear, day and night.
I want to go next year if I can raise the
I do too. I kind of like that part about "fol-
lowing local customs."
Are you going to lunch now?
I guess so. But I haven't really had an
appetite since mid-term.
Yeah, I know what you mean.
What was the Core lecture about?
You didn't go?
No, I was studying for a test.
Well, it was Ashby . . .
Damn! I knew I should have gone.
Damn, no mail again.
All I've had for two weeks is a library notice
and a letter from the Dean.
What did you do this time?
I got two U's at mid-term.
Out of six courses?
Oh . . .
I'm glad she's graduating.
Yeah, she was really sweating for a while.
I know. Biology, wasn't it.
Yeah— Dr. Reed.
But she passed.
Man, I hope my senior year isn't like that.
Me, too. I hope I even make it to my
Listen, I'm going to graduate from this place
if I kill myself doing it.
Editor, Sandy Stinnetta
In this, enter. In unfilled spaces,
shapes enclosing vacancy in which
patterns of light and dark are the
sole inhabitants. In walks and
lounges, empty, waiting.
Forms in expectancy, now assuming
their roles in another cycle of time
(every year a new creation).
Into new forms. Molded by the
situation of arrival, sound,
the walks no longer empty,
every space filled with
people, the whole experience
and pervading everything
the sense of newness, change
in patterns, experience lying
in the future.
Stan Allen, Cathy Alston, William Anderson, Cheryl Anonsen, Carole Austin,
Jrll Azarenok, Dave Baggett, Donna Baird, Gordon Batstone, James Black,
Linda Blanton, Roxanne Bllsh, Nelson Blocker, Mrs. Elizabeth Bonner, Judy
Brennelsen, James Broderick, Ton! Buckwald, Thomas Caddell, Kathtyn
Callan, Robert Campbell, David Capus, Kathy Carlson, Stanley Carr, Bess
Cheney, Paul Cheney, Bob Coleman, Phil Cook, Linda Cox, Jetf Cramer,
John Criswell, Caryn Crowe, Margaret Davis, Chip Dodson, Deborah Donahoe,
John Eckert, Susan Ehrhardt— Ernest Ertley, Linda Evans, Dana Everett,
Lynne Ezell, Patrick Faggianelll, Doug Farrow, David Fellows, Ann Ferguson,
Winifred Ford, Kay Fosgate, Judy Foss, Donald Foster, Jim Francis, David
Francks, Kitty Freeman, Joy Gadway, Juarlyn Gaiter, Jim Gale, Ofelia Garcia,
Susan Garcia, Aline Gaston, Elizabeth Gee, Roberta Gessler, Patricia Gonyo,
Lee Goodnight, Jerry Green, Paul Greene, Judy Grisso, Paul Gruenberg,
Linda Hahn, Jim Hall, William Hamilton, Linda Harrison, Cheryl Hartley,
Mary Haynes, James Herton, Willard Hedrick, Susan Hemmer, Sharyn Henry,
Torn from blissful semi-Ignorance
by an unending torrent of knowledge
breaking stale mental processes,
bringing with it puzzlement and the
agony of indirection;
foundation-shaking flood of verbiage,
unknown words now cliche-creators—
What is right, after these changes?
Daniel Herman, Martha Hinton, Michael Hoffmann, Richard Holthouser, Karl Holtz, Ruth
Horn, Tonyia Hucks, Karen Hulett, Robert Humphery, Alexander Hunter, Michael Hunter,
Kathleen Irwin, Sharon Jackson, Carl Jacobson, Sarah Joerger, Lynne Johnson, Patricia
Johnson, Robert Johnson, Susan Johnson, Thomas Johnson, Marilyn Jones, Brenda
Jorgensen, William Kates, Henry Kauder, Geoffrey Keener, Terry Kersey, Stephen King,
Sandy Kingsbury, Maryan Kitchengs, Paul Klein— Robert Koch, Joan Komar, David Landis,
Linda Lash, Mary Law, Gregory Lee, Mary Jane Lewis, Francis Lindberg, Peter Livers, Jill
Lockwood, William Luck, Barry Ludin, George McCoy, Neil McFadyen, George McGuire,
Mary McLeod, Melissa Marrow, Suzanne Marsh, James Meier, George MIntz, Charlotte
Montague, Kay Montgomery, Susan Moore, Steven Morgan, Ivan Morris, William Moss,
Anne Murphy, Steven Murray, Bernard Newman, Nancy Ohifest, John Paine, Rodney
Palmateer, Pamela Pardee, June Parlett, Kathryn Parmelee, Pat Parmer, Spenser Parra-
more, Martha Parsons, Carl Perhacs, Betty Petro.
Laura Pomeroy, Martha Pope, George Raftelis, Charles Ranson, Emmett Redding,
Sandra Reid, Elizabeth Reitz, Steve Rhodes, Janna Rios, Pamela Roberts, Sherry
Robey, John Rodrigues, Laura Root, Gene Saffen, Carol Schneider, Lynn Sensa-
baugh, John Servo, Martha Siegel, Barry Smith, Frances Smith, Gail Smith,
Lynn Smith, Ralph Spainhour, Lana Steller, Mary Jane StephanI, Mary Stewart,
David Stone, Betti Stopinski, Darcy Sweeney, Gary Tapp, Charlene Thiess,
Susan Thompson, Anne Tiedeman, Mary Todd, Robert Tomasello, Claudia Toy —
Merrie Van Loy, Bettie Van Overbeke, Birgit Van Zonnerveld, Carol Verdery,
Elizabeth Walker, Barbara Wallace, Mary Ellen Warren, Nancy Wayman, Leslie
Webb, Wiley White, Deanna Wilbur, Donald Williams, David Wilmot, David
Wilt, Patrick Wolfe, John Wolin, Robert Wooton, Edith Yount, Marilyn Ziegler,
Mary Altomare, James Armstrong, Katherine Burck, Sharon Carveth, Carol
Currier, Jean Davis, Anne Devine, Larson Foster, Richard Gelinas, Mary-Dean
Lee, Patricia Linder, Paul May, Rodney Moyer, David O'Brien, Larry Schultz,
Jill Severson, Suzanne Synder.
FLORIDA PRESBfTTfRIAJj COtUCE
Unsettled moments, discontent,
not to be called homesickness
but resembling its symptoms;
perhaps merely a desire for
the familiar, weariness from
demands on our time and our
intellects, memories of a
less burdened past;
In any case, a dream of being
away from the pressures of
Geraldine Topaz, Edmund Boyer, Judy Bris-
bin, Ann Dalstrom, Barbara Heuer, Velma
Keen, Sarah Thomson, Alyce Spohn, Rarniro
Saldana, Jean Anderson, Tim Armstrong,
IVIarigene Arnold, Bill Arnold, Dennis Bade,
Russell Bailey, Carol Bailey, Jo Settle, Julie
Bell, Ernest Bentley, Carol Bowden, Anita
Briggs, Judy Brownlee, Carolyn Bulc, Marin
Burch, Gale Burton, Ronald Byrd, John
Callahan, Keith Campagna, Delores Canon,
Jana Sue Carter— Charles Casanave, Bob
Clingman, Russ Cook, William Cooley, Diane
Copple, Wendy Corbett, Thomas Costello,
Jay Cowan, Gail Cowden, David Cozad, Dell
Crawford, Jerry Cullum, Jack Cushman,
Nicholas Dale, Connie Davis, Harry Davis,
Sandra DePietro, Elizabeth Dickson, Barbara
Dotson, Harriett Downing, Jeanne Drown,
Linda Dumas, Kimberly Farmer, IVIarcia Farr,
Ann Finkernagel, Mac File, Chris Frost,
Jamie Gainer, Carol Gentry, Sue Gilllland.
Spontaneous joy in the release
of tension, freeing the mind
with water fights;
reaction to the rhythms of
music or of the consciousness;
welcome relief from the
weigh upon us far too often.
Physical exertion of athletic
involvement, spectators' cheers,
the shouts of referees;
gladly borne burdens of hours
of practice and aching muscles;
exhausting battle of intramurals:
tension of a welcome type.
Nancy Guy, Laura Harrison, Sharon Hayes, Valerie Hewitt, Jean Hill,
Kit Hirshberg, Gloria Hollls, Susan Hopkins, Bettie Hord, Harry
Home, Leland Howard, Janice Hunter, Debbie Hutch, Barbara John-
son, Lou Anne Johnson, Richard Johnson, Bob Johnson, Jola Johnston,
Carolyn Jones, Clifford Jones, Daniel Karr, Edward Kelly, Carol
Kennedy, Carol Kincaid, Suzanne Lafitte, Mike Lamb, Suzanne Lanier,
Randy Looney, Laurie Lowen, John Lowry — Jere Lykins, Patricia
Lyons, Chris McCarter, Nancy McDowell, Dent McGough, Elizabeth
McKeen, Barbara McKlnley, Robert MacKlchan, Charles MacNeill,
Dennis Mader, Ernest Mahaffey, Gale Manning, Betty Mansfield, Jon
Marden, Nels Marshall, Eleanor Mason, Gail Maston, Robert Meac-
ham, Mary Merrick, John MIddleton, Ola Jane Miller, Tink Miller,
Richard Mills, Anne Moore, Iris Moore, James Moore, Paulette
Morley, Marilyn Mosely, Sharon Motes, Tim Myers.
Out of groups, individuals; the
bonds of friendship in study,
in games, or behind masks;
reflected in a smile, a laugh:
persons, outside the network
William Neal, Richard Nicol, Ava-Agnes Orman, Jane Owens, Patricia
Papps, Jay Pittner, Barbara Poister, Rodger Poole, Donald Pooley, John
Porter, Ann Price, Catherine Protheroe, David Pugh, Howard Rees, Bob
Reynolds, Avis Rhodes, Glenn Robertson, Jean Robin, Walter Sager,
Susan Sanders, Gerry Sandweiss, Wallace Scherer, Anna Schmidt, Joan
Seal, Suzanne Sellers, William Seman, Jack Senterfitt, Susan-Anne Shan-
non, Mary Lu Shepherd, Thom Shuman — Nancy Sissom, Gordon Slack,
Bebe Smith, Sherman Smith, Diane Spicher, Barry Still, Sandra Stinnette,
Charles Stripling, David Tatelman, Dwight Tawney, Sally VonKaenel, Dick
Waghorne, Dawne Watkins, Michael Watson, Peter Watts, Paul Welch,
Eve West, Rodney Westall, Donald Whitcomb, Leah White, Margaret
Whitworth, Charles Wilson, Fred Wilson, Michael Wilson, David Withers,
James Wood, Edith Wright.
Surrounding our daily existence:
a multitude of common things,
ordinary, necessary (inevitably)
such as dripping umbrellas, and
mud-scrubbed baseballs, and
scribblings on a note card, and
rings from a coffee cup, and a
dresser-top profusion of bottles
(how blest your application,
Joan Allison, Patricia Altenbernd, George Atkinson, Jacque-
line Ballou, Susan Banks, Peggy Barry, Andy Beckenbach,
Leila Blair, Michael Bradley, Anne Brownlee, Dita Christie,
Langley Collins — Sarah Cooper, Robert Gumming, Richard
Dabbs, Peggy Davis, Nancy Dawson, Becky DeMoss, Mary
Dickson, Priscilla Doane, Jerry Dunbar, David Eachus,
Susan Easterberg, Beverly Fant, Marilyn Ferguson, Robert
In disassociation, find unity. Join
the disjointed, compare the incomparable,
the varied contrasts of line and mass,
concept and completion irreconcilable,
but to be reconciled, in our existence.
Weld these ideas to acceptable symmetry,
uniting dissimilarities of is and seem
by the incessant orderings of the creative mind,
bringing structure from the conflicts of expression.
Mark Moulthrop, Valerie Murdock, Steve
Myers, Darryl Neil, Alice Nelson, David
Nichols, Sharon Pennock, Nancy Polk, Laura
Price, Bill Ray, Connie Remington, Harold
Robinson — Rufus Sessions, Karen Steward,
Beverly Stewart, Bob Stocking, Philip Taylor,
David Tenner, Mrs. Sandra Turner, Frances
Wallace, James Watters, Julia Whitman,
Joseph Williamson, Rice Worthington.
From this, decision: thoughts of
future purpose and direction, of
knowledge's application, of the
realization of the potential of
a more than momentary diversion
from the constant intrusions of
a time for reflection (together,
alone) on that which lies ahead.
Students on Leave for Study Abroad: Dana An-
drews, Laurinda Chappelle, Pamela Dolliver, John
Heimberg, William Herbert, Susan Hughes, Sharon
Lott, Vicki Millard, Meredith Sparks, Geoffrey
Voight, Joyce White.
Stuart Adcock, B.A., Psychology; Sandra Ahlgren, B.A., French; Allen Hunton,
B.A., Sociology; James Anderson, B.A., Religion; Thomas Bacon, B.A., Psychology;
Anne Baldwin Hinson, B.S., Mathematics; Muriel Barnard, B.A., Psychology;
Marylee Baskin, B.A., Literature; Jane Beasley, B.A., Political Science; Linda Jo
Berry, B.A., Sociology — Margaret Blackwood, B.A., Philosophy; Richard Brandt,
B.A., Economics; Geoffrey Browne, B.A., Literature; Avise Carter, B.A., German;
Lawrence Carter, B.S., Mathematics; Patricia Clements, B.A., Sociology; Margaret
Clough, B.A., Literature; Joel Cole, B.A., Literature; Sandra Coleman, B.A.,
Taste of early-morning fog;
waves washing shore (pleasure
in the union of wind and water)
light and shadow, and
gulls' cry in twilight
. . . unconditioned experience
of this place's beauty.
William Coleman, B.S., Chemistry;
Robert Cook, B.A., Sociology; Kath-
leen Crawford, B.A., Literature; Don
Cunningham, B.A., Classics; Angela
Davis, B.A., Literature; Paul Dell,
B.S., PreMed— Don Dewhurst, B.A.,
Religion; Herbert Dorr, B.S., Chemis-
try; Jane Ferguson, B.A., Humanities;
Thomas Gachet, B.A., Philosophy;
Elizabeth Gessler, B.A., Music; Rich-
ard Grimm, B.A., History; Richard
Hall, B.A., Literature; Susan Hamil-
ton, B.A., History; Ellen Kay Hedrick,
B.A., Psychology; Lee Hersey, B.A.,
Psychology; Lynn Hestir, B.A., Span-
ish; Demaris Higginbotham, B.A.,
Andrea Hood, B.A., Sociology; Joanne Hood, B.A., Sociology; DeeDee
Jacobs, B.A., Religion; Warren Johnson, B.A., Psychology; Mason Kiile-
brew, B.A., Economics; Sarah Laessle, B.A., Spanish; Karen Lange, B.A.,
Literature; Donald McNeill, B.S., Mathematics; Frederick MacFawn,
B.A., Economics; Marietta Marra, B.S., Pre-Med; Bruce IVIatten, B.A.,
Art; Lance Morrow, B.A., History— Jonathan Novak, B.A., Sociology; Nina
Novak, B.A., Sociology; Judy Rankin, B.A., Sociology; Mary Ellen Reiser,
B.A., Sociology; Robert Reynolds, B.A., Spanish; James Rileigh, B.A.,
Psychology; Albert Robbert, B.A., Psychology; Barbara Rogers, B.A.,
Classics; Frederick Russ, B.A., Economics.
Emergent from the patterns of
experience: totality of vision,
depth of comprehension;
insight's clarity in complexity's
final result of the four-year
process: new modes of perception,
order of the mind.
Carl Russell, B.S., Mathematics;
Nancy Sanders, B.A., Psychology;
Tony Sherrlll, B.A., Literature; John
Sims, B.A., Philosophy; Jaroslawa
Slywka, BA, Russian; Jonathan
Smith, B.S., Biology; John Spragens,
B.A., Humanities; Mary Jane Stearns,
B.A., French; Gregory Thomson, B.A.
Psychology; Judy Timms, B.A., Psy
chology — Karen Tomkins, B.A., So-
ciology; Alice Tratebas, B.A., Litera
ture; Sara Tussing, B.A., Classics;
Karl Velt, B.S., IVIathematics; Nancy
Wanamaker, B.A., Religion; Donald
Wescott, B.A., Spanish; Harold Wright,
B.A., Classics; Fred BIckley, B.A.,
Psychology; Richard Lopez, B.A.,
In this, depart. Accomplishment of
purpose, attainment of manifold
goals leading to another beginning;
the sought-for design having been
brought to fruition, departure now
creating again emptiness;
forms in fulfillment, having known
(in time's cycle) a new creation . . .
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Editor, Dwight Tawney lii
W. L COBB CONSTRUCTION COMPANY
P. 0. Box 10309
ST. PETERSBURG, FLORIDA 33733
^fam S'fi'9* SMiiitine
FOK 35 YEARS
&LGN OF COOP BASmfi.
Q]^^^ FLORIDA NATIONAL GROUP
F. D. I.e. AND FEDERAL RESERVE SYSTEM
ASK ABOUT THESE SERVICES
n Bank By Mail
□ Checking Accounts
n Savings Accounts
□ Trust Department
] Installment Loans
□ Home Improvement Loans
n Curb Teller
□ Travelers Checks
n Loans On Securities □ Christmas Club
□ Commercial Loans □ Free Parking
KENNETH E. HENSLEY
2220— 34th Street South (U.S. 19)
St. Petersburg, Florida
Phone 867-4340 or 867-4510
COMPLETE AUTOMOTIVE SERVICE
the largest and most modern privately owned
Service Station in the South-Eastern
it .=Jjaine6 ^nc.
47li Slijwaij SLl fj., St. PetersLr^, DLiJa
2200 LAKEVIEW AVE. S.
St. Petersburg, Fla.
STAN'S BARBER SHOP
5457 -31st. STREETS.
ST. PETERSBURG'S GREAT STORE
It's the service that counts
ONE STOP DRIVE-IN
OPEN 6 DAYS — 7 A.M. TIL 9 P.M.
— DRIVE-IN LOCATIONS —
720 — 4th Street North 2223 — 9th Street South
2300 — 9th Street North 1640 — 5th Avenue South
2000 Central Avenue 3320 — 22nd Ave. So.
1426 Pasadena Ave. So.
And now in Clearwater
710 So. Missouri Ave.
RUTLAND MEN'S STORE
St. Petersburg, Florida
• Hickey Freeman
• London Fog
... a small detail, but indicative
of the care v/hich we give to your
all-important family savings.
FIRST FEDERAL SAVINGS
AND LOAN ASSOCIATION OF ST. PETERSBURG
One of America's Largest
Additional Prints May Be Ordered
From Your Yearbook Poses
Weddings Portraits Commercial
2729 Central Ave.
THE PRESCRIPTION SHOP
St. Petersburg, Florida Ov
534 CENTRAL AVENUE
TELEPHONE 862-1 141
666 SIXTH STREET SOUTH
riptions Called For And
re:gistereo ,s ^j ewelers
China • Crystal
434 Central Avenue
Or Central Plaza
cp::ntral at ninth
st. petersburg. florida
lEMBER FEDERAL DEPOSIT INSURANCE CORPORATIOf
and FEDERAL RESERVE SYSTEM
INVITES YDU TD RESERVE A DATE
LARGE DR SMALL
PARTY OR DANCE
INDOORS or OUTDOORS
6800 34th Street S.
St. Petersburg, Florida • Phone 867-1151
KEYS INDUSTRIES, INC.
Recognized Quality and Service
20 ELEVENTH ST.. SO.
ST. PETERSBURG, FLA.
You meet the
An Affiliate of Union Trust National Bank
On CENTRAL AVENUE at 31st STREET
Member F.D.I.C. and Federal Reserve System
426 Preston Ave. So.
St. Petersburg, Fla.
Shop Wards at Central Plaza
1400 CENTRAL AVENUE
Next step to success
Graduation marks an achievement to be proud
of . . . and marks, too, a time to plan the next
step toward your goal in life.
Whatever the goal, there'll come a time when
cash on hand can help you make a big stride
forward. Prepare now . . . start now to save
regularly, so you'll have money when you
SAVINGS fi LOAN
MAIN OFFICE: Central of 19th St., St. Petersburg
SEMINOLE BRANCH: 7405 Seminole Blvd. (Alt. 19)
C ^ JEWELERS, INC.
486 - 1st AVE. NORTH
CORNER 5th ST.
ST. PETERSBURG. FLA.
... 48 HOUR SERVICE
STUDENT LINEN RENTAL
KEY OF HOPE
PEACE and PROGRESS
S & H Green Stamps Wrecker Service
Wheel Balancing and Front End Alignment
- FREE PICK UP & DELIVERY —
HEINZEN SHELL SERVICE
Lubrication — Auto Repairs — Goodyear Tires — Batteries — Motor Tune-Up & Brake Service
1800— 34th Street South 1755— 9th Street South
Phone 867-6288 Phone 898-8412
Open 24 Hours St. Petersburg, Florida Open 7 a.m. — 11 p.m.
Moderr, [/ and Traditional Clothing for Centlem
300 CENTRAL AVENUE
HOME OF GANT SHIRTS
^ke i5ank ^JJe6ianed
LEARN FOR THE FUTURE
SAVE FOR THE FUTURE
SEE US FOR ALL YOUR FINANCIAL NEEDS
^t PETERSBURG BANK 6 TRUST COMPANY
TH STREET NORTH AT 7 TH AVENUE ST PETERSBURG. FlOHtDA
"FLORIDA'S FINEST FINISHING"
RO MO PHOTO LAB
QUALITY PHOTOGRAPHIC PRODUCTS-
RO - MO CAMERA SHOPS
GUARANTEED RO-MO PROCESSING
LOOK FOR THE DOUBLE DIAMOND
WHERE YOU LEAVE YOUR FILM
2 LOCATIONS TO SERVE YOU
5 1675 5th Ave No
3 155 3rd Street No
UNDER THE CIRCUMSTANCES . . .
"People are always blaming
their circumstances for what they are.
I don't believe in circumstances.
The people who get on in this world
are the people who get up and
look for the circumstances they want,
and, if they can't find them, make them."
— George Bernard Shaw, 1856-1950
FLORIDA POWDER CORPORATION
KOffl JAX-PAYINO. INVCSTOR-OWNCD [LCCTHIC COMPANV
We haven't got it sacked. You
know how it is: we take what we
can find to work with, push it
around a little, and see what
we come up with. If the
year comes out looking the same
shape to us that it did to you,
great! If not . . . well,
maybe you'll find a picture or
two in here you think are
pretty. That's the breaks.
God knows we tried!!!
__ I ^ John Spragens, Jr.
Al Fischer (Bryn-Alan)